Browse Items (371 total)

  • Collection: Paintings and engravingsdepicting a procuress

No quieren, de Goya (1810 c.)
Another engraving by Goya based on the social effects of the war between France and Spain. An interpretation of the Prado Museum names the characters as a young prostitute, alasciviousman, and a celestinesque old woman. This is an interpretation of…

Lo peor es pedir, de Goya (1812)
Una escena durante la guerra entre Francia y España, trantando de cuestiones moralizantes de mantener la honra y morir de hambre, o vender el cuerpo y sobrevivir. Siguiendo el comentario del grabado del Museo del Prado, la mujer vieja que aparece…

La Inquisición o El santo oficio, de Goya (1820)
Mixed method in mural transferred to canvas.
This painting is on display at the Prado Museum, in the "Black Paintings" collection, the description of the painting provided by the museum in the exhibition describes the women drawn as "dressed in the…

Zubayda y la mujer vieja, de MM. Français y H. Baron (1827 c.)
Illustration of a French edition, by Ernest Bourdin, from the story One Thousand and One Nights, that tells of an encounter between a young woman and an old woman that acts as a procuress. (Les mille et une nuits: Contes arabes traduits par…

Waiting on the balcony, by Alenza y Nieto (1835, c.)
A young woman sitting in a room near a balcony. Around her, an old woman sitting on the right, a man sitting on the left, and a man standing on the left.

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En el garlito, de Alenza y Nieto (1835 c.)
A man kneeled down in front of two ruffians and two young girls (prostitutes perhaps). On the left, an old procuress.

Other title: En el garlito

Caressed and Pick-pocketed by Alenza y Nieto (1838, c.)
Young couple carousing while a boy pickpockets the man. An old woman behind the boy

The maja on the balcony, by Alenza y Nieto (1840, c.)
Goya-type model of a maja on the balcony with a procuress behind. A young woman looks out on a balcony and on the left, an old woman that acts as her procuress.

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Poor man and Celestina, by Alenza y Nieto (1840, c.)
A man is accompanied by an old woman with a cane.

Old woman and fray, by Alenza y Nieto (1840, c.)
In the image appears an old woman with her head covered and a man dressed as a fray. The woman represents Celestina or a procuress.

Mujer joven en un balcón, de Alenza y Nieto (Fecha desconocida)
A young woman leaning out on a balcony and accompanied by an old woman.

Other title: Jeune femme au balcon

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El embotado y la vieja, de Alenza y Nieto (Fecha desconocida)
A man in a hood talks to an old woman.

Ointment of Horns, by Alenza y Nieto (1840, c.)
Watercolor on paper of a costumbrista scene with three characters in the Celestinesque tradition

The fight, by Alenza y Nieto (1840, c.)
Interior scene where four figures appear. A young woman seated to the right, an old woman with her head covered and a club next to the young woman, a man standing in front of the young woman, and a child lying on the ground next to the young woman.…

Scene at the door of a tavern, by Alenza (1840, c.)
In the scene, a group of people, a horse, a dog and a man playing the guitar appear at the door of a tavern. In the crowd appears a young woman with a mantilla and next to her an old woman with a covered head that resembles a procuress.

La cita, de de Saavedra (1846)
Although a Celestina does not appear in the painting, its composition resembles the prototype that Goya started with his majas on the balcony accompanied by their procuress. This is due to her position on the balcony and the presence of an older…

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Estudio de Cabeza, de Velásquez (Fecha desconocida)
Portrait of an old woman.

The procuress, by anonymous (1850, c.)
In the image appears a young couple in the foreground. Next to the young woman appears an old woman with her head covered looking at them. Several men also appear surrounding the couple. By the title it is understood that the old woman acts as a…

The Quarrel, by Lameyer (1850 c.)
Oil on canvas. A gypsy man and woman quarrel while an old woman is sitting next to them. The old woman is not normally seen as a procuress, but it is possible to see her as such

Los españoles pintados por sí mismos, de anónimo (1851)
A young woman in the center of the drawing. On the left, an old woman looking at her, on the right a young man looking at her.

Mother Gregoire, by Courbet (1855)
Description of painting by the Art Institute of Chicago: "Mère Grégoire is a character from a popular song written in 1820 by French lyricist Pierre Jean Béranger. As described by Béranger, she was the portly proprietress…

Tentación, de Shilder (Fecha desconocida)
According to the museum's description, a procuress tries to recruit a poor girl by promising her a life of luxury. Meanwhile, a potential client waits at the door.

Other title: Искушение

Baile en la Ermita de la Virgen del Puerto, de de Guzmán (1857)
A scene in the Hermitage of the Virgin of the Port. In the lower left corner of the table, there is a group of people acting similarly as characters inLa Celestina. A soldier dressed in red, with a young girl who seems to be flirting, while an old…

Tía Sinforosa, in Sainete, by Noguera (1858)
Four characters appear on the cover of the first image (first part), who, according to the cover, are in Juan Llorens house, Calle de la Palma de Santa Catarina. The young couple on the left (characters Saldoni and Margarida), the old woman with her…

The procuress, by Lucas Velázquez (1860, c.)
In the image appears a young woman and a man holding her. Both are about to enter a house where an old woman is looking at them. On the left are two men looking at the couple. By the name of the painting it is understood that the old woman acts as a…

The procuress, by Lucas Velázquez (1860, c.)
Several figures appear in the image. To the right is a figure of an old woman in a crouched over position, which may represent the procuress described in the title.

The procuress, by Lucas Velázquez (1860, c.)
In the image appears an old woman and a young woman next to a tree. The old woman appears with her head covered and a club. On the right is a man. By the title of the work it is understood that the old woman acts as a procuress for the young woman…

Puebla kitchen (La cocina poblana), by Arrieta (1865)
The inside of a kitchen from Puebla, Mexico, in which an old woman acts as a matchmaker to seduce a "china."

La maja, de Velásquez (Fecha desconocida)
A young woman is sits on a bench. There is a dog on the right and a guitar on the bench. On the left, an old woman looks at the young woman as if whispering. In the background some men are seen staring at the young woman.

The pained heart or "Sigh, no more ladies", (1868)
Old lady and young woman, Pre Raphaelite style, several possible interpreations.

Other titles: Sigh No More, Ladies, Juliet and her Nurse

'The Pained Heart', or 'Sigh No More, Ladies', or 'Juliet and her Nurse, by Hughes (1867)'
Old lady and young woman, Pre Raphaelite style, several possible interpreations.

Other titles: Sigh No More, Ladies, Juliet and her Nurse

An Old Matchmaker Counts Money (Una vieja alcahueta cuenta el dinero), lithograph by Vivant Denon (1873).
Old matchmaker counts money by candle light while a couple makes love in the background in her shadow.

Duquesa di Montejasi con sus hijas, Elena y Camilla, de Degas, (1876, c.)
Although it is a portrait, the arrangement of the mother and daughters of marriageable age recalls some compositions of procuresses or madamas and their pupils. "This is the last of Degas’s great family portraits. It is also among the most…

Country scene, de Alenza y Nieto (1877)
A young woman sitting under a tree, accompanied by an old woman on the left and several men on the left looking at her.

La fiesta de la patrona, de Degas (1878)
Tinta y pastel sobre papel.

The commissioner, by Rops (1878, c.)
Original title: Die Bevollmächtigte ("The commissioner"), y Plénipotentiaire ("Plenipotentiary").

Two women appear in the image, a young woman and an old woman. The young woman is with her breasts uncovered and the old woman is fully dressed and…

The love fair, by Rops (1880, c.)
Original title: La Foire aux amours ("The love fair").Two figures appear in the engraving: a naked young woman on top of a cage and an old woman to her side with her head covered, reminiscent of a Celestina. The figures could be interpreted as a…

The review board, by Rops (1880, c.)
Original title: Conseil de révision ("The review board").From the series of Hundred Light Sketches (1878-1881).In the picture there are four women in a room. Three of the women are young and are depicted naked, one of them is lying on the bed.…

Conversation: Ludovic Halévy and Madame Cardinal, by Degas (1880, c.)
The illustration is part of a series of more than 30 monotypes that Degas did for Ludovic Halévy's La Famille Cardinal.Description of the book and illustration:"The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie…

The Concierge (The procuress - The housemaid), by Seurat (1884)
Original title: La Concierge (La Maquerelle - La Bonne) ("The Concierge (The procuress - The housemaid)").

In the image appears an old woman with her head covered. From the title it is understood that she is a procuress.

Burdel en antigua Grecia, de Jacobs (1885)
19th century engraving from a History of Prostitution, By P. L. Jacobs, 1885.

Mors syphilitica, by Rops (1885, c.)
The engraving unites in a single image the suggestion of consubstantial death to the covered old woman generally depicted in the background of many paintings and that Goya knows how to use in his pair of maja and procuress.

Escena de burdel, para Vicente, de Bernard (1888)
Depiction of a brothel scene where a young woman is drinking, a young man looking at her and an old woman by his side. The old woman may be acting as a procuress for the young woman.

Lewd and abandoned, 1890
A cartoon in the periodical The Mascot of the infamous New Orleans brothel regent Emma Johnson as an octopus that captures the innocent passers-by. Below written in English "lewd and abandoned" (lustful and abandoned). Although there is no direct…

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El seductor, de Zichy (1891)
A young woman sits on a man's lap. An old procuress stands behind the young woman while holding a glass.

La 'madama' rehaciendo su peinado, de Henri de Toulouse-Lautrec (1893)
Portrait of a woman with red hair combing her hair.

In the Salon, by Toulouse-Lautrec (1893)
Madam and two girls in a brothel's salon.

Other title: Au salon

White Slavery (Trata de blancas), by Sorolla (1894)
Original title: "Trata de blancas" ("White Slave Trade").

A group of young women on their way to a brothel, under the vigilance of a procuress. Social denunciation.

Beauty, money, mind (Belleza, dinero, mente), by Tóth (1894).
Part of a tryptych, this painting shows a young woman followed or solicited by a matchmaker-type older woman. The rest of the tryptych can be seen athttps://commons.wikimedia.org/wiki/File:T%C3%B3th_Beauty,_Money,_Mind_C_1894.jpg

Medical inspection.jpg
The image depicts two women standing in a line with their chemises lifted. On the background on the right, one can see the procuress who has her back towards the viewer.

The old procuress, by Evenepoel (1895)
Original title: La vielle maquerelle ("The old procuress").

In the image appears an old woman with a hat and umbrella looking at a skull that appears floating in front of her. By the title it is understood that the woman is a procuress.

Intermission or The Englishwoman of the New Ballet, by Rops (1895, c.)
Original title: Entracte /L'Anglaise du nouveau ballet ("Intermission / The Englishwoman of the New Ballet").In the image appears a naked young woman looking at an old man who is dressed in a suit and looking back at the young woman. An old woman…

The Human Beast (La bestia humana), by Fillol (1897).
An older woman is forcing a younger woman into prostitution. A client in the background. Social denunciation painting.

Untitled drawing, by Canals (1898)
Several women appear in the image: two women with hats, a woman without a hat on the right and an old woman on the top right corner that is reminiscent of Celestina. The description of Canals' work that appears in the article next to the image also…

On the balcony, by Llovera i Bofill (1898)
In the image three figures appear on a balcony: two young women, one sitting with a fan and another resting on the first, and behind them appears an old woman looking at them. The image reminds us of the famous painting Young Woman and Celestina on…

The fake aunt, by Pla Gallardo (1899)
The image shows five figures; in the center, an old woman with her head covered following the celestinesque tradition, on the right a young couple, and on the left two women with habits. The trio can represent the typical triangle of prostitute,…

El diván
Two lovers in a local brothel with late 19th century set. In the background one can see Celestina, the old procuress who accentuates the scene with her inquisitive gaze. SignedP. Ruiz Picasso-in the bottom right-hand corner.Contribution of the…

207295fgsdl.jpg
Oil on canvas, 65.5 x 82 cm. (25.8 x 32.3 in.)

Goyesque scen of a maja and a celestina, and a religious procession in the background

At the Matchmaker's House, by Basler-Kopp (1900, c.)
Original title: Bei der Kupplerin ("At the Matchmaker's House")

Nude young woman and matchmaker with only silhouette and one hand visible

Una escena en las cortes de la ley, de Forain (1900(c))
A prostitute and her procuress in court, according to the museum's description.

Una vieja, de Ramos (1900 c.)
Engraving byJosé García Ramos,where an old woman can be seen in the middle of a street. In the foreground on the right there is a dog and in the background on the left a silhouette of a person wearing a hat.In Celestinesca, Vol. 26, No.…

Hermann_Vogel_Gefällt_Sie_ihnen.jpg
Original title: Gefällt sie Ihnen? ("Do you like her?").

This work represents Celestinesque-themed scene. In the scene, a man, a naked young woman and an older woman are represented, this last one acting as the procuress of the young woman.

Gitanas, by Canals (1900, c.)
In the image appear five young women dressed in a similar way. To the right appear three other figures, two men and a young woman, with a different aesthetic from that of the other young women. In the middle of the young women appears an old woman…

Gloria, by Pla (1901)
Recreation by the painter and illustrator of Galdós' character Gloria from the work of the same name published in 1876. Note the presence of the old women with a celestinesque appearance in the church in this work in which the heroine falls in love…

Tres mujeres en un balcón, de Bernard (1903)
Parece recorder a la serie de prositutas en el balcón de Goya, aunque parece falta la alcahueta vieja

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The slave or The one that is worth, by Bilbao Martínez (1904)
Note the old procuress in the background on the left

Retrato de mujer en estilo expresionista

The Harem, by Picasso (1906)
Notice the old woman in the corner at the back of the picture.

Full title/ Other titles: Le harem, Nus roses, Figures roses

Gypsies, by Canals (1910, c.)
In the image three figures appear in a field. A young woman dressed in a regional dress, an old woman to her right with a fan covering her face, and a man on horseback behind them. The trio is reminiscent of celestina scenes where the old woman acts…

pecado.jpg
Allegorical painting that complements another titled Grace. The old ladies in the second term, one holding a mirror and the other an apple, are clearly tempting types of procuresses.

On the game, by Gutiérrez Solana (1916, c.)
Original title: "Mujeres de la vida"

A group of young women, supposedly prostitutes, and behind them an older woman, that could be their procuress.

The caprice, by Díaz Domínguez (1916, c.)
Three figures appear in the painting: in the center, a young woman with a black mantilla looking at the viewer, to the right appears another woman with flowers on her head, holding a fan and looking at the young woman. Finally, an old woman with her…

Manaut.jpg
Two women are represented in the painting: a young and an old woman looking to the left.
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